Dragging Me Backwards

 by Adena M’lynn


They say time only moves forward—

but that’s a lie my body knows better than my brain.

Because some days,

I swear I feel the hands of yesterday

wrapped around my ankles,

dragging me backwards

through years I worked hard to outrun.


I’m grown now…

with bills and keys and a mailbox full of things that pretend I’m whole.

But inside,

there’s still that small girl

with knees pressed into carpet,

breathing like she’s praying,

counting the seconds between footsteps in the hallway

like her life depends on getting to ten

before the doorknob turns.


And it always turned

before she got to ten.


Memory is a cruel magician—

pulling me onto the stage,

spotlight hot against my cheeks,

whispering “Watch closely.”

Then it saws me in half again.


Suddenly I’m back there,

in the house where shadows knew my name.


But not all of it was shadow.


Because sometimes—

right in the middle of the terror—

a softer memory slips in,

like mercy with a scent.

Strawberry soap.

My Nana’s hands washing my face,

the sweet smell of berries rising warm from the suds.

Five years old,

ten years old—

the same gentle fragrance,

untouched by anything dark.

A memory that still lands soft

no matter how many times I visit it.


Magic was never a trick;

it was survival—

architecture I built from scraps of hope.

Blankets became shields,

stuffed animals a sworn army,

my imagination a whole universe

where fear couldn’t reach me.

But here’s the part that drags me hardest:

I’m an adult now,

yet when the memory reel starts spinning,

it doesn’t ask permission,

doesn’t check my age,

doesn’t care that I pay rent

and know how to hold eye contact

and can talk about “resilience”

without my voice shaking.


It just hits play.

And suddenly I’m small again—

tiny, confused, desperate—

watching the scene roll out in familiar colors

as if it all happened yesterday

instead of in a lifetime I barely survived.


People say,

“Why can’t you just move on?”

As if trauma is a suitcase you can leave at the airport.

As if the past isn’t a living thing

with claws sharp enough

to reach across decades.


But listen—

every time I get pulled backward,

I also pull myself forward.


Because that girl I was,

the one who spun worlds out of fear

and made magic out of nothing,

she didn’t die.

She didn’t give up.

She stayed alive inside me

like a pilot light,

waiting for the moment

I’d be strong enough

to understand what she lived through.


So when memory drags me,

I drag back.


I reach for her—

the small me,

the scared me,

the clever, imaginative survivor me—

and I tell her,

“I’m here now.

You can rest.”


And sometimes,

to remind us both that not everything hurts,

I breathe in slowly

and let myself remember

that strawberry scent—

the one memory that never bruises,

the tenderness that kept a little girl alive

long enough to grow into the adult

who can speak this poem.


Healing isn’t forgetting.

It’s remembering without disappearing.

It’s letting the reel play

but refusing to let it run the whole show.


It’s growing older

and finally loving the child

who kept you alive long enough

to stand here,

in full voice,

unbroken,

and free enough

to drag back.

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